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Kostenfreier Download The Bell: Vintage Classics Murdoch Series, by Iris Murdoch
Kostenfreier Download The Bell: Vintage Classics Murdoch Series, by Iris Murdoch
in dieser neuen Zeit des Aufenthaltes wird geplant haben Sie sicher schon daran immer auf andere. Unter dem modalen die Idee, Geist, sowie Know-how ist abgeschlossen enthalten, dass von jemandem auf Erfahrung. Zur Pflege dieser Bedingung braucht jede weit bessere Expertise, Köpfe zu haben, sowie Gedanken. Es ist zu fühlen auf dem anderen genommen, offensichtlich in die Großzügigkeit und dieses Leben zu tun viel besser zu sein. Eine der Art und Weise ins, die durch das Lesen durchgeführt werden kann, ist.
The Bell: Vintage Classics Murdoch Series, by Iris Murdoch
Kostenfreier Download The Bell: Vintage Classics Murdoch Series, by Iris Murdoch
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Pressestimmen
"She's writing about the only things that matter – love, goodness and how to be happy" (Patrick Gale Independent)"The plot is both comical and moving, and it’s a book that everyone who’s ever been tempted to throw in the towel and become a hermit should read....despite the grand subjects at issue, the novel’s tone is not at all dry or didactic – it is, on the contrary, wonderfully lively and poignant at the same time, tender with a sprightly social comedy reminiscent of PG Wodehouse and Barbara Pym" (Guardian)"Her characters are described with loving exactitude and in such depth that their struggles to define what it means to live a good life take on dramatic force" (New York Times)"How bloody good her novels are – how intelligent, how lucent, how divinely crazy. They’re fun – I’d forgotten that" (Sarah Waters Guardian)"Above all, she was a consummate story-teller, prodigiously inventive and generous, in the realist tradition of Dickens, Jane Austen, George Eliot, Henry James, Tolstoy and Dostoevsky" (Independent)
Über den Autor und weitere Mitwirkende
Iris Murdoch was born in Dublin in 1919. She read Classics at Somerville College, Oxford, and after working in the Treasury and abroad, was awarded a research studentship in Philosophy at Newnham College, Cambridge. In 1948 she returned to Oxford as fellow and tutor at St Anne’s College and later taught at the Royal College of Art. Until her death in 1999, she lived in Oxford with her husband, the academic and critic, John Bayley. She was made a Dame of the British Empire in 1987 and in the 1997 PEN Awards received the Gold Pen for Distinguished Service to Literature.Iris Murdoch made her writing debut in 1954 with Under the Net. Her twenty-six novels include the Booker prize-winning The Sea, The Sea (1978), the James Tait Black Memorial prize-winning The Black Prince (1973) and the Whitbread prize-winning The Sacred and Profane Love Machine (1974). Her philosophy includes Sartre: Romantic Rationalist (1953) and Metaphysics as a Guide to Morals (1992); other philosophical writings, including 'The Sovereignty of Good' (1970), are collected in Existentialists and Mystics (1997).
Produktinformation
Taschenbuch: 368 Seiten
Verlag: Vintage Classics (4. Juli 2019)
Sprache: Englisch
ISBN-10: 1784875201
ISBN-13: 978-1784875206
Größe und/oder Gewicht:
12,8 x 2,2 x 17,8 cm
Durchschnittliche Kundenbewertung:
3.7 von 5 Sternen
6 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 9.703 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
On the cover of my book it says "Her (Iris Murdoch) wise, witty and compulsive novel. I have spent many hours of my life reading a wide variety of "important" authors, and finally got around to reading Iris Murdoch. The fact that IM is a philosopher was an added attraction to me.What to say. The only one word description of this novel that comes to my mind is "pedestrian". It was an easy read. It had a few interesting people in it, and they had various issues in need of resolution. The story moves along at a good pace, but something is really lacking. I am sorry, but I did not find it "wise, witty and compulsive". I found it to be a plain, uninspired narrative.Perhaps I picked the wrong Murdoch book. I'll try another one soon.
The first fifty or so pages of Iris Murdoch's The Bell chronicle how the terminally confused but kind Dora Greenfield leaves her emotionally sadistic husband only to retun in a still more confused mixture of guilt, fear and love. Murdoch's tone here is gently satarical and distant. In that opening act I found her wit amusing, never involving. Alarmingly it reminded me of highschool, when the Literature was rich, witty and clinical. It reminded me of homework. It is only in the second act when Dora joins her husband in the religious community of Imber that it becomes clear the author is building to what will ultimatly become one of the most remarkable examinations of faith I've ever read. The novel achieves critical mass with the introduction of Michael Meade, the founder of the community. He has always struggled with his homosexuality, and deep down we sense that in a bizzare way he enjoys the struggle "like the souls in Dante who deliberately remained within the purifying fire". He believes that the struggle is faith, where he gets to define his own morality. By contrast the community's other figure head, the large affable James believes in clear black and white terms "Sodomy is not disgusting its just forbidden", unlike Michael he believes that innoccense and authority are the measure of faith. While this unacknowledged philosophical debate wages on, Imber's cast of characters get into such a tangled web of flirtations, jealousy and mis-understanding so brilliantly weaved by Murdoch that we only upon reflection do we question the character's motivations. Right across from Imber is the Abbey where a faceless, nameless order of Nuns go about their business. We meet three of these nuns, the powerful Abbess who seems to know everything and is always bearing a smile. Sister Ursula who is her attache, and who also is constantly smiling. Finally there is Sister Clare, and as she saves a woman from drowning, Murdoch takes the time to point out that she too is smiling. The nuns are ever present, watching, mocking these mortals who can not give up the world but sill seek the Hereafter. As Murdoch observes "Violence is born out of the desire to escape oneself". And all these characters are desperatly trying to escape. This is coupled by the much darker suggestion that although God exists and is just, he can also be uncaring. Why would he create homosexuality only to condemn it? Late in the game Michael observes that there is God but he may not believe in Him. It is clear from The Bell that Murdoch is not only a novelist but a philosopher(and indeed this is confirmed in the sleeve notes). The ideas, reflections and themes are far too complex to discuss here. But there are sequences so perfectly and soulbearingly written that they warrant reading the book more then once. What starts as a gentle satire grows a heart without ever losing its sense of humour or even a sense of whimsy. Although sometimes distant, the novel is never tedious. And if there is a lesson, then its the lesson Michael learns "Love ought to be given without fear of its imperfection".
The first fifty or so pages of Iris Murdoch's The Bell chronicle how the terminally confused but kind Dora Greenfield leaves her emotionally sadistic husband only to retun in a still more confused mixture of guilt, fear and love. Murdoch's tone here is gently satarical and distant. In that opening act I found her wit amusing, never involving. Alarmingly it reminded me of highschool, when the Literature was rich, witty and clinical. It reminded me of homework. It is only in the second act when Dora joins her husband in the religious community of Imber that it becomes clear the author is building to what will ultimatly become one of the most remarkable examinations of faith I've ever read. The novel achieves critical mass with the introduction of Michael Meade, the founder of the community. He has always struggled with his homosexuality, and deep down we sense that in a bizzare way he enjoys the struggle "like the souls in Dante who deliberately remained within the purifying fire". He believes that the struggle is faith, where he gets to define his own morality. By contrast the community's other figure head, the large affable James believes in clear black and white terms "Sodomy is not disgusting its just forbidden", unlike Michael he believes that innoccense and authority are the measure of faith. While this unacknowledged philosophical debate wages on, Imber's cast of characters get into such a tangled web of flirtations, jealousy and mis-understanding so brilliantly weaved by Murdoch that we only upon reflection do we question the character's motivations. Right across from Imber is the Abbey where a faceless, nameless order of Nuns go about their business. We meet three of these nuns, the powerful Abbess who seems to know everything and is always bearing a smile. Sister Ursula who is her attache, and who also is constantly smiling. Finally there is Sister Clare, and as she saves a woman from drowning, Murdoch takes the time to point out that she too is smiling. The nuns are ever present, watching, mocking these mortals who can not give up the world but sill seek the Hereafter. As Murdoch observes "Violence is born out of the desire to escape oneself". And all these characters are desperatly trying to escape. This is coupled by the much darker suggestion that although God exists and is just, he can also be uncaring. Why would he create homosexuality only to condemn it? Late in the game Michael observes that there is God but he may not believe in Him. It is clear from The Bell that Murdoch is not only a novelist but a philosopher(and indeed this is confirmed in the sleeve notes). The ideas, reflections and themes are far too complex to discuss here. But there are sequences so perfectly and soulbearingly written that they warrant reading the book more then once. What starts as a gentle satire grows a heart without ever losing its sense of humour or even a sense of whimsy. Although sometimes distant, the novel is never tedious. And if there is a lesson, then its the lesson Michael learns "Love ought to be given without fear of its imperfection".
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